{"id":9200,"date":"2022-02-08T18:26:10","date_gmt":"2022-02-08T18:26:10","guid":{"rendered":"https:\/\/www.c4trio.com\/?p=9200"},"modified":"2022-02-08T18:26:29","modified_gmt":"2022-02-08T18:26:29","slug":"the-cuatro-players-of-c4-trio-are-the-future-of-venezuelas-national-instrument","status":"publish","type":"post","link":"https:\/\/www.c4trio.com\/en\/the-cuatro-players-of-c4-trio-are-the-future-of-venezuelas-national-instrument\/","title":{"rendered":"The cuatro players of C4 Trio are the future of Venezuela&#8217;s national instrument"},"content":{"rendered":"<p><center><iframe loading=\"lazy\" title=\"NPR embedded audio player\" src=\"https:\/\/www.npr.org\/player\/embed\/1073160436\/1075049636\" width=\"100%\" height=\"290\" frameborder=\"0\" scrolling=\"no\"><\/iframe><\/center><\/p>\n<p style=\"text-align: left;\">The Venezuelan group C4 Trio has taken the national instrument of their homeland, the four-string cuatro, to new heights. They&#8217;ve recorded seven albums, collaborated with singer Rub\u00e9n Blades and, in 2019, won two Latin Grammys for their album with salsa singer Luis Enrique,\u00a0<em>Tiempo al Tiempo<\/em>.<\/p>\n<p style=\"text-align: left;\">The title of a new book about C4, written by Venezuelan journalist Gerardo Guarache Ocque, sums up the essence of the singular group:<em>\u00a0La Leyenda de los Cuatros Explosivos<\/em>. The group \u2014 composed of cuatro players Edward Ram\u00edrez, H\u00e9ctor Molina and Jorge Glem, as well as bass player Rodner Padilla \u2014 is a legend, and their music is an explosion of sounds.<\/p>\n<p style=\"text-align: left;\">Edward Ram\u00edrez says what brought them together was a strong desire to play music that was not from Venezuela, on the Cuatro. \u00abBut we also wanted to challenge ourselves and play Venezuelan music from a different point of view, and play other music genres with the Cuatro\u00bb Ram\u00edrez says. \u00abWe wanted to find new ways for the cuatro to expand its palette, so that the possibilities of the instrument would continue to grow.\u00bb<\/p>\n<aside id=\"ad-backstage-wrap\" aria-label=\"advertisement\">\n<div id=\"ad-backstage-Music\" class=\"ad-backstage\" data-ad-config=\"{&quot;network&quot;:&quot;\\\/6735\\\/&quot;,&quot;site&quot;:{&quot;default&quot;:&quot;n6735.NPR.MUSIC&quot;,&quot;mobile&quot;:&quot;n6735.NPRMOBILE&quot;,&quot;sponsor_content&quot;:&quot;npr_sponsor_content&quot;,&quot;default_secondary&quot;:&quot;NPRSecondary&quot;,&quot;mobile_secondary&quot;:&quot;NPRMobileSecondary&quot;},&quot;zone&quot;:&quot;Music&quot;,&quot;targets&quot;:{&quot;testserver&quot;:&quot;false&quot;,&quot;isPodcastEpisode&quot;:&quot;false&quot;,&quot;storyId&quot;:&quot;1073160436&quot;,&quot;program&quot;:&quot;Weekend_Edition_Saturday&quot;,&quot;agg&quot;:[&quot;348975477&quot;],&quot;genres&quot;:[&quot;Latin&quot;]},&quot;location&quot;:&quot;backstage&quot;,&quot;deferred&quot;:false,&quot;isBetweenContent&quot;:true,&quot;isAggSponsorship&quot;:false,&quot;borderClass&quot;:&quot;&quot;}\"><\/div>\n<\/aside>\n<p style=\"text-align: left;\">In 2005, Ram\u00edrez, Glem and Molina were each invited to play solo pieces at a concert in Caracas. Each musician is from a different region of Venezuela, and they admired each other&#8217;s style. After rehearsing a few tunes together to play at the end of the concert, they liked the sound of the multiple cuatros so much that they decided to form a group. The following year, they recorded their first album and adopted C4 as their name, in reference both to the cuatro and the guitar group known as G3. Their self-titled album launched their career. Bass player Rodner Padilla joined them in 2009.<\/p>\n<p style=\"text-align: left;\">The cuatro is a small, guitar-like instrument, with four nylon strings. It&#8217;s played across the country, in many different styles of music. Every Venezuelan family has a cuatro hanging on the wall, says H\u00e9ctor Molina. \u00abIt&#8217;s undergone a huge development in recent years,\u00bb he says. \u00abWe always say that we&#8217;re a consequence of the work that&#8217;s been done for the instrument by masters such as Jacinto P\u00e9rez, Hern\u00e1n Gamboa, Fredy Reyna and\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=Uhe--4EQHA0\">Cheo Hurtado.<\/a>\u00a0They&#8217;re major figures of the Cuatro and musicians who have helped to expand the sonic possibilities of the instrument.\u00bb<\/p>\n<div id=\"res1074926184\" class=\"bucketwrap image large\" style=\"text-align: left;\">\n<div class=\"imagewrap has-source-dimensions\" data-crop-type=\"\"><picture><source class=\"img\" srcset=\"https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s400-c85.webp 400w, https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s600-c85.webp 600w, https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s800-c85.webp 800w, https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s900-c85.webp 900w, https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s1200-c85.webp 1200w, https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s1600-c85.webp 1600w, https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s1800-c85.webp 1800w\" type=\"image\/webp\" sizes=\"(min-width: 1300px) 763px, (min-width: 1025px) calc(100vw - 496px), (min-width: 768px) calc(100vw - 171px), calc(100vw - 30px)\" \/><source class=\"img\" srcset=\"https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s400-c85.jpg 400w, https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s600-c85.jpg 600w, https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s800-c85.jpg 800w, https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s900-c85.jpg 900w, https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s1200-c85.jpg 1200w, https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s1600-c85.jpg 1600w, https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s1800-c85.jpg 1800w\" type=\"image\/jpeg\" sizes=\"(min-width: 1300px) 763px, (min-width: 1025px) calc(100vw - 496px), (min-width: 768px) calc(100vw - 171px), calc(100vw - 30px)\" \/><img decoding=\"async\" class=\"img aligncenter\" src=\"https:\/\/media.npr.org\/assets\/img\/2022\/01\/21\/c4-b_custom-8b7ea64d6625025715b61fc445bd31e2a26e5e36-s1100-c50.jpg\" alt=\"\" \/><\/picture><\/div>\n<div class=\"credit-caption\">\n<div class=\"caption-wrap\">\n<div class=\"caption\" aria-label=\"Image caption\">\n<p>Ram\u00edrez, Molina, Padilla and Glem are now based in Miami, due to the political and economic climate in Venezuela. \u00abIt&#8217;s a very tough situation and we hope that this nightmare ends soon so we can go back and do concerts in Venezuela,\u00bb Glem says.<\/p>\n<\/div>\n<\/div>\n<p><span class=\"credit\" aria-label=\"Image credit\">Jos\u00e9 Blanco\/Courtesy of GroundUP Music<\/span><\/p>\n<\/div>\n<\/div>\n<p style=\"text-align: left;\">Musician and producer Michael League invited C4 to play at the GroundUp Music Festival in Miami Beach a few years ago. The festival is run by League&#8217;s GroundUp Music, the group&#8217;s new label. \u00abC4 is like the group that our festival was made for,\u00bb says League. \u00abIt&#8217;s a group that maybe a lot of people don&#8217;t know about, outside of their kind of niche, in the music world. But it is impossible to see them play and not remember them for the rest of your life.\u00bb<\/p>\n<p style=\"text-align: left;\">League co-produced C4&#8217;s forthcoming\u00a0<a href=\"https:\/\/www.youtube.com\/watch?v=uW4F9CS9lyg\">new album,\u00a0<em>Back to 4<\/em>.<\/a>\u00a0He says the group has one foot in tradition, one foot in innovation, and the desire to mix and constantly add colors to their palette. \u00abThese guys can make their instrument sound like a conga or a flute. They&#8217;re not bound by the tradition. And I&#8217;m not an expert in that tradition, but just from five minutes of speaking with them, you can tell that their heads are as much in the future as they are in the past.\u00bb<\/p>\n<p style=\"text-align: left;\">As the social, political and economic situation got more complicated in Venezuela, the members of C4 realized they had to move somewhere else to keep the group alive.<\/p>\n<p style=\"text-align: left;\">In 2014, C4&#8217;s bass player, Rodner Padilla, migrated to Miami. Glem went to New York in 2016, and Molina arrived in Miami the following year. Ram\u00edrez first migrated to Colombia in 2017, and then moved to Miami last year.<\/p>\n<p style=\"text-align: left;\">Now, the group is together again, based in Miami, home to the largest Venezuelan immigrant community in the U.S. Glem says despite the ongoing difficulties in Venezuela, they remain positive and hopeful. \u00abWherever we go, we try to put on the most beautiful face of our country and we do whatever we can to help our folks back home,\u00bb he says. \u00abIt&#8217;s a very tough situation and we hope that this nightmare ends soon so we can go back and do concerts in Venezuela.\u00bb Glem says the cuatro is their flag and they just want to play music, in their own, sometimes explosive, way.<\/p>\n<p>Fuente: <a href=\"https:\/\/www.npr.org\/2022\/01\/22\/1073160436\/c4-trio-cuatro-venezuela\" target=\"_blank\" rel=\"noopener\">NPR<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Venezuelan group C4 Trio has taken the national instrument of their homeland, the four-string cuatro, to new heights. They&#8217;ve recorded seven albums, collaborated with singer Rub\u00e9n Blades and, in 2019, won two Latin Grammys for their album with salsa singer Luis Enrique,\u00a0Tiempo al Tiempo&#8230;.<\/p>","protected":false},"author":1,"featured_media":9201,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[6],"tags":[],"class_list":["post-9200","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-noticias-es"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.1.1 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>The cuatro players of C4 Trio are the future of Venezuela&#039;s national instrument - C4 Tr\u00edo<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.c4trio.com\/en\/the-cuatro-players-of-c4-trio-are-the-future-of-venezuelas-national-instrument\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"The cuatro players of C4 Trio are the future of Venezuela&#039;s national instrument - C4 Tr\u00edo\" \/>\n<meta property=\"og:description\" content=\"The Venezuelan group C4 Trio has taken the national instrument of their homeland, the four-string cuatro, to new heights. 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